Apr. 19th, 2014

paulak_rumin8: Austin and speck (Default)
Drat you, chapter 5! I can't say how much I hate the middle of the story. It's right about then I start losing my momentum and stall out. Chapter 5 is coming; I have about 2300 words of it, provided I don't decide to scrap it and start over. It's just coming so slow. I wish I needed just 5 or 6 hours of sleep to function optimally. That would be great. As it is, I am tired. I have the next scene all plotted out mentally and I'd love to take the time to at least get a first draft down, but I think I'm going to have to stop. I'm such an idiot, when you think about it. This is a terrible time of the year to start up such a large-scale project. Glutton for punishment is what I am. Just couldn't wait for the end of the school year. I'm a little afraid of how this chapter will turn out because it is accomplishing what it needs to, but I don't think it's as much fun as the previous chapters.

Writing Austin with his pinball machine attention shifts and constant motion is difficult. And the more I study the episodes for Mickey's character and mannerisms, the more I recognize the subtle differences in each writer's interpretation of her. For instance, in the pilot and Plan 10, Mickey is a little more cranky with Austin's quirks, and stands up to his bluster tit for tat. But in Black Cats, she assumes more of a hero-worship attitude. In Quit It and to a lesser degree, in Black Cats, she seems to entertain a rather romanticized vision of Austin, and in MAPe Over You and Now You See It, she conveys a protective and almost territorial vibe. There's no particular character arc happening--granted, we're talking about a very small sample of episodes to analyze--but simply differences among the episode writers' particular visions.

Now this is funny. Half an hour ago I was too tired to write another section of a chapter, but that didn't stop me from giving an exposition on the program at my blog.


paulak_rumin8: Austin and speck (Default)

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